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Punctuation and Visual Rhythm

Recently I was proofreading a novel draft of mine, and I came across this sentence: Anne advanced; he retreated; she cornered him against a wall and pounded his shoulders. Now, I love me some semicolons, so it’s no surprise that I would somehow manage to get two into a single sentence in the first fiveContinue reading “Punctuation and Visual Rhythm”

Perceiving Academic Journals

I started college in 2005, just at the cusp of learning management systems; things like Blackboard were in use, but most courses still had physical syllabi passed out on day one, and most assignments were still printed out on paper and handed in physically. In the same way, online journals were increasingly popular at theContinue reading “Perceiving Academic Journals”

What I Miss From Last Semester’s Contract Grading Experiment

Last semester I tried to finally make the hard switch to contract grading, motivated by a number of reasons. My motivations were good, and my policies had been gradually trending that way anyway, but (as I have explained before) the experiment didn’t go well, with a much higher fail rate than I’m used to seeingContinue reading “What I Miss From Last Semester’s Contract Grading Experiment”

Whom Do You Write For?

One of the hardest questions that authors get asked perhaps too seldom is “Who are you writing for?” It’s also, perhaps, the most important. More important even than “Why are you writing?” or “What are you writing?” Writing without an audience just doesn’t work. The audience completes the text, you see. Sure, the author mayContinue reading “Whom Do You Write For?”

Building Revision Into the Syllabus

Muriel Harris usefully posited the notion of “one-draft writers” and “multi-draft writers” in 1989. For anything less than a novel, I tend to be a “one-drafter”, meaning that I resist revision because I do most of my deep revision on the planning end of things. My outlines are basically my first drafts, and by theContinue reading “Building Revision Into the Syllabus”

The Embodied Literature Review: A Classroom Activity

Last week, I introduced my students to the genre of the literature review. This is, for most first year composition students, an entirely alien genre, since it’s largely the province of academic work. However, the course I’m teaching requires, as part of its description, that my students produce an annotated bibliography of 15-20 sources andContinue reading “The Embodied Literature Review: A Classroom Activity”