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Punctuation and Visual Rhythm

Recently I was proofreading a novel draft of mine, and I came across this sentence: Anne advanced; he retreated; she cornered him against a wall and pounded his shoulders. Now, I love me some semicolons, so it’s no surprise that I would somehow manage to get two into a single sentence in the first fiveContinue reading “Punctuation and Visual Rhythm”

Hinges and Stitches: Thinking About Transitions in Writing

I was winging it in the classroom the other day, analyzing some paragraphs in a response to a very important landmark physics paper and how they transition, and I hit on an image that I think is going to be useful for a long time: hinges and stitches. My class uses Graff and Birkenstein’s excellentContinue reading “Hinges and Stitches: Thinking About Transitions in Writing”

Writing Is Social

We all know the stereotypes of the writer: the introvert with cats hiding away with coffee and alcohol, scribbling away in a notebook (ok, minus the coffee and wine, it’s true for me). “Writing is a lonely profession,” people say. We see it as a soloistic endeavor: the grand aloof maestro spinning mesmerizing tales outContinue reading “Writing Is Social”

Building Plot: The Power of Yes

When I had been writing fiction in earnest for about two or three years, I was doing some revision when I noticed a pattern: my characters said “no” a lot in dialogue. It ranged from quiet “no”s to big, dramatic, Luke-finding-out-who-his-father-is “NOOOOooooo”s. I mean, I was a middle schooler at the time, and my writingContinue reading “Building Plot: The Power of Yes”