Punctuation and Visual Rhythm

Recently I was proofreading a novel draft of mine, and I came across this sentence: Anne advanced; he retreated; she cornered him against a wall and pounded his shoulders. Now, I love me some semicolons, so it’s no surprise that I would somehow manage to get two into a single sentence in the first fiveContinue reading “Punctuation and Visual Rhythm”

Reading for Saturation

When we teach college writing, we’re generally asking students to write in genres that they may have never read. Why, then, do we expect them to be able to write these successfully? Genres are, as I have often observed, slippery things and can’t really be completely understood through explicit instruction. Sure, scholars can and oftenContinue reading “Reading for Saturation”

NaNoWriMo 2020 Update #1

Novel word count at time of publication: 8,588. As you are probably aware, it’s November. That means, among other things, that it’s time for NaNoWriMo. It’s a familiar rhythm at this point, and I love it. And it’s the rhythm of NaNoWriMo I want to talk about today. Honestly, it’s the only thing that feelsContinue reading “NaNoWriMo 2020 Update #1”

What Is Genre Chauvinism?

I’m sure there’s a better term for this, and I really ought to know it given my dissertation work, but lately in my head the term that’s been sticking for the way that certain genres (which, not coincidentally, are often those associated with youth or women) are unfairly considered unimportant or even toxic is genreContinue reading “What Is Genre Chauvinism?”

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