Flexible Deadlines Are Awesome

Since I started experimenting with penalty-free flexible deadlines, which was shortly before the pandemic (good timing on that one!), the regular question I’ve gotten was how to avoid the work piling up when students inevitably turn in lots of late work. The answer is actually that the flexible deadlines prevent grading from piling up ratherContinue reading “Flexible Deadlines Are Awesome”

Writing Is Social

We all know the stereotypes of the writer: the introvert with cats hiding away with coffee and alcohol, scribbling away in a notebook (ok, minus the coffee and wine, it’s true for me). “Writing is a lonely profession,” people say. We see it as a soloistic endeavor: the grand aloof maestro spinning mesmerizing tales outContinue reading “Writing Is Social”

Finishing A Dead Draft

Anne Lamott famously gave us the concept of “shitty first drafts” as the key to “good second drafts and terrific third drafts,” and even that seems overly optimistic for many writers—my process for long fiction takes at least four drafts. But if we are being generous with ourselves, as Anne Lamott argues, we embrace theContinue reading “Finishing A Dead Draft”

NaNoWriMo 2020 Update #1

Novel word count at time of publication: 8,588. As you are probably aware, it’s November. That means, among other things, that it’s time for NaNoWriMo. It’s a familiar rhythm at this point, and I love it. And it’s the rhythm of NaNoWriMo I want to talk about today. Honestly, it’s the only thing that feelsContinue reading “NaNoWriMo 2020 Update #1”

Building Revision Into the Syllabus

Muriel Harris usefully posited the notion of “one-draft writers” and “multi-draft writers” in 1989. For anything less than a novel, I tend to be a “one-drafter”, meaning that I resist revision because I do most of my deep revision on the planning end of things. My outlines are basically my first drafts, and by theContinue reading “Building Revision Into the Syllabus”

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